| What is music? Almost all of us listen to music daily by using a CD, type, radio, TV, movies,.... They are many that even play some kind of musical instrument. We are going to ask every one to answer this easy question. WHAT IS MUSIC? There are very little study and discussion about this subject. At the same time that it is one of the most popular art in this world. For making some kind of hypothesis we can say: The music was burned during millions of years, changed the form and became more and more concentrated. It was created step by step when our species were trying to survive, by very hard working. They find out that when ever they want to do some thing together, as a group, they have to be in harmony with each other. If no, for raising a heavy piece of stone each person could push in wrong direction with wrong action time. We started to make some sounds to regulate our movements for doing some work. They were very simple sound, but with a certain intensity and time properties. We start to make a sound for start, for stopping, for pushing together, for raising together. Then as the civilization was growing step by step, we start to add the sound of pain, hunger, enjoyment, ... There are many micro pieces of these codified feeling in any language. Still these micro pieces are controlling the power of our speech and talking. We will transmitter our feeling with these good known codified sound. We can tell to some one with same words different feeling, changing these micro pieces. Then we made instrument to make these codes, louder and stronger. It was the father of all musical category that we have to day. Then we start to make wealth and with that they came wars. For better organizing the people during these action,We made war musical instruments. That was used for agitating people during war. But we have also very sad moments too. Many other kind of feeling was developed during our progress toward civilization. We start to use these instruments for all other scops also. Specially when every we couldn't talk (because of social condition,or personal) we start to use them as well. The memory and effect of all those years are accumulated and registered in our brain. Now for me a piece of music is sad, when ever it agitated those part of my sad memory which I have them from pass. Now we want also to explain the music as simple as possible, for reaching to his roots. For example: ,It is exact, specific; and it demands exact acoustics. A conductor's full score is a chart, a graph that indicates frequencies, intensities, volume changes, melody, and harmony all at once and with the most exact control of time. It is rhythmically based on the subdivisions of time into fractions, which must be done, not worked out on paper. Most of the terms are in Italian, German, or French; and the notation is certainly not English - but a highly developed kind of shorthand that uses symbols to represent ideas. The semantics of music is the most complete and universal language. Music usually reflects the environment and times of its creations often even the country and/ or racial feeling. It requires fantastic coordination of finger, hands, arms, lip, cheek, and facial muscles, in addition to extraordinary control of the diaphragmatic, back, stomach, and chest muscles, which respond instantly to the sound the ear, hears and the mind interprets. It allows a human being to take all these dry, technically boring (but difficult) techniques and use them to create emotion. That is one thing science cannot duplicate: humanism, feeling, emotion, call it what you will. Or in other way: First Type of Answer: Don't Know Because we are all familiar with the experience of music, we are inclined to think that we truly know what music is. But having an experience is not the same thing as fully understanding how that experience occurs or even what it represents. Seeing is not the same thing as understanding the physics of light, and hearing is not the same thing as understand about sound and acoustics. Everyone "knows" what consciousness is, but scientifically no one knows what consciousness is. (There are various theories, but no one really knows that any of those theories is correct.) This comes down to a distinction between objective and subjective. There are some phenomena where our knowledge of the objective correlate of our subjective experience is quite advanced. For example, we understand that words like "hot" and "cold" are correlated with an objective physical measurement of temperature. There is a quite mathematically complex theory of temperature and heat. There is also quite a detailed understanding of the biology of our perception of hot and cold, of how, for example, our perception of temperature is actually a perception of temperature difference between receptors close to the surface and receptors further inside our body. There is also a very good understanding of why we perceive temperature, and most people would not find it not too difficult to understand that we perceive hot and cold because too much hot or too much cold is bad for your health. Second Type of Answer: Music Theory In the case of music, there is a substantial descriptive theory of music, which corresponds to a large degree to what is called "music theory", which is almost like a scientific theory, but not quite. Anyone who learns to play an instrument or learns to read music notation will learn some of this descriptive theory. It includes concepts like frequency and tempo, and all the components of music such as melody, scales, chords and rhythm. Although music theory tells us something about what music is, there is still quite a lot that it doesn't tell us: Firstly, music theory is not complete. Music theory defines what is effectively a set of constraints on what music can be, for example the constraint that pitch values in a melody come from a finite set of values in a musical scale. But the set of constraints is not complete, and to further complicate things, some constraints only seem to apply to some kinds of music. This incompleteness implies that music theory is not fully predictive, in the sense that it cannot completely predict the musicality or "strength" of an item of music from its description. Because music theorists do not traditionally think of themselves as doing scientific theory, the incompleteness of music theory is often regarded as some kind of ineffable mystery which is intrinsic to the very nature of music. This type of anti-scientific mysterianism is of course a general feature of how people think about mental phenomena in general, like the existence of the human "soul", so most people have little difficulty accepting that it should also apply to music. Secondly, music theory does not say anything at all about what is going on inside the human brain when we listen to music. What goes on inside the human brain (or any brain for that matter) is quite mysterious anyway, so it should perhaps not surprise us that what goes on inside the human brain when we listen to music is mysterious. But because music does not have any existence independently of its human perception, we cannot consider any theory of music to be complete until it does explain the detailed mechanics of how our brains respond to music. This is different to, say, temperature, where we can understand what "hot" and "cold" are, even if we don't understand the physiology of the perception of hot and cold. Thirdly, and finally, music theory does not say anything about what music is for. If you asked most people why they listened to music, they would probably answer that they listen to it because they like it. This doesn't really explain anything, because most things we do because we like them, or because they have some relationship to getting something that we like. The real question is why do we like music, and our ignorance of the answer to this question is truly profound. It's not hard to give some kind of explanation of why we like most of the things that we like, and to determine some relationship with survival and successful reproduction. But music doesn't seem to relate in any obvious way to anything else other than music. Third Type of Answer: Subjective The incompleteness of any existing formal descriptive theory of music implies that the only way that you can explain to another person the meaning of the word "music" is by example. In other words, if you were teaching some person English, and you didn't know any word for "music" in their language, you would be forced to play some music to them, and then tell them that that's what music is. There is one apparent problem with a subjective answer to the question, which is that there is variation in what different people consider to be music, especially if they come from different cultural backgrounds. This can lead to an extreme relativism, where it is claimed that anything at all is music if someone says that it is. For example, according to well-known composer John Cage, his work 4 minutes 33 seconds of pure silence is actually music. My own view is that this degree of relativism is an over-reaction. The problem with phenomena which are only known subjectively is that people can support relativist points of view by simply lying about their own perceptions. For example, different men disagree about what is "sexy", and I could pick some woman that most other men find not very attractive, and claim that she looks sexy to me. Anyone accusing me of lying would be implicitly insulting the woman in question, which wouldn't seem very polite. But most people know that there is quite a lot of agreement about what men consider to be sexy or not in a woman, and most scientists would presume that this agreement is a function of a common genetically determined instinct. Similarly, we know that there is quite a lot of agreement about what is musical. Much of the music industry is "hit-driven", which implies that if one person likes a particular musical item a lot, probably a lot of other people will also like it a lot. Also, we still recognise an item as musical even if it is not our favourite kind of music, and even if it comes from another culture. And I don't think anyone really thinks that four and a half minutes of silence is musical. Fourth Type of Answer: Poetic Given the difficulty of finding a scientific answer to the question of what music is, and the disinclination of many people to think scientifically about human desires and feelings, one way to answer the question is to give an answer that doesn't even pretend to be scientific. Instead of trying to find an answer that makes specific statements about what is music and what is not music, and what is going on inside the human brain of someone enjoying music, and why music perception is an evolved adaptation, just say something that doesn't really mean anything at all, but it sounds good. Like: "Music is a hidden arithmetic exercise of the soul, which doesn't know that it is counting." (Gottfried Leibniz) I copied this from "Definitions of Music" in wikiquote, and there's plenty more at that site. Another music quote site that includes a few poetic "definitions" is http://home.att.net/~quotations/music.html. Fifth Type of Answer: Scientific Although there is no widely accepted scientific theory of music, there have been plenty of attempts to formulate theories of music, and these could be considered possible answers to the question. In most cases the scientists who have stated the theories would not themselves claim that their theories can be known with certainty to be true, but if you wanted to make a statement about what music was from a scientific view, you could quote one of these theories and make it sound more definite than it really was. Some popular scientific explanations of music include: It helps members of a society bond with each other. Men use it to attract women (or vice versa). It evolved either from or into language. It has something to do with how mothers interact with children. Most of these theories have an element of "just so" story about them, and you will notice that none of them say very much about why music has exactly the properties that it has (i.e. all the properties described by descriptive music theory), and certainly none of them explain why particular items of music are regarded as very musical by large numbers of people. An Authoritative Answer If I was an authority on music science, then I could give my own authoritative answer to the question. Unfortunately no one takes me very seriously yet, so I don't make a very good source, if that is what you are looking for. On top of that, my own theory is admittedly both speculative and incomplete. Conclusion: A Best Answer A best possible answer to the question, given our current knowledge and ignorance of what music is, must be something as follows: There exist certain patterns of sound which people create, which have certain emotional and pleasurable effects on the listener. These patterns of sound are subject to certain constraints, some of which can be described with some degree of mathematical precision, and these descriptions form the content of "music theory" which is traditionally taught to those learning about musical composition and performance. However, these descriptions do not fully distinguish between what is music and what is not music. Given the incompleteness of the descriptions of music provided by music theory, and our ignorance about the biological mechanics of the effect that music has on the listener, and our ignorance about why it has an effect on the listener, the only satisfactory definition of music is a subjective definition, which means providing a list of specific examples, and then saying: "music is anything like that". |
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